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From Parking Cars to New-Wave Star

From Parking Cars to New-Wave Star

ACT 1: "Valet-Dictorian"

SCENE 1
The film opens on a Suburban bedroom. Lights flicker on the ceiling. The protagonist, Ernest Gladwell, awakens to sees a women outside his window flickering a flashlight. He climbs out of his window into a rolling plume of violet fog. He emerges from the fog dressed in an oversized Mint Suit, dancing towards the woman. They hop into a White Mercedes convertible and start the engine. Ernest leans in the kiss the woman, but his advance is abruptly cut short by a morning alarm, revealing the sequence to be a dream.
SCENE 2
The camera pans around Ernest's room showcasing various academic accolades interspersed with posters of New Wave bands and cassette recorders. Ernest hurriedly slips on a uniform and rushes down to the kitchen. As Ernest enters the kitchen, he breaks the fourth wall and freezes time. The camera tracks with Ernest as he saunters around his motionless family describing his life in Violet Heights. Ernest informs the audience that he’s 19, lives at home with his parents and works as a Valet at the “Violet Heights Social Club”. He reveals that he was his High School Valedictorian, but opted not to attend college and now spends his days recording music in his bedroom. He jokingly describes himself as “The spitting image of wasted potential”.
SCENE 3
Ernest drives a decrepit 1978 Saab Hatchback to the Country Club.  As he arrives, he greets his co-worker and best friend Graham Krumpels - a fast-talking, gawkish kid with thick glasses. Graham informs Ernest that their High School classmates have returned from College for the summer and are gathering for a raucous pool party that evening. After some cajoling, Graham convinces Ernest to join him at the party. Throughout the day, patrons of the Country Club are introduced as Ernest and Graham park their vehicles. Patty Weinstock, a wealthy recent divorcee, immodestly flirts with Graham as he parks her car. She regularly jokes that “anything he asks for is as good as his”. As Ernest and Graham’s shift ends, they are struck by a drive-by-egging, orchestrated by Rich Weinstock, Patty's son and former star High School Linebacker. As he pulls out of the parking lot, Rich exclaims “Glad to see you freaks are both sticking around The Heights! We’ve got a fun little surprise for if you're dumb enough to show up to the party later!”
SCENE 4
Defiantly, Ernest and Graham attend the party. Ernest spots his high school sweetheart, Amelia Hartford, poolside. We recognize her to be the woman from Scene 1.  Amelia and Ernest broke up last fall, when she left to attend college at USC. She is now dating Rich. Ernest has a brief, nervous conversation with Amelia before Rich interrupts. Afterwards, Ernest slips into another surreal reverie, imagining Amelia in the pool with synchronized swimmers dancing around her. His daydream is suddenly disrupted by the blast of M80s from the bushes immediately behind him and Graham. While disoriented by the blast, Rich and his cronies push them into the pool. From the water, Ernest vaguely discerns Amelia lambasting Rich. Amelia apologetically helps Ernest and Graham out of the pool and offers to give them a ride home. On their way back, the trio stops at a diner. At the diner, the former friends reconnect and rekindle their relationship. When Amelia drops Ernest off at home she admits that she misses him and asks him to call her in the future - "as friends".

ACT 2: Love Rekindled, Crash

SCENE 5
The morning after reconnecting with Amelia, Ernest ruminates on his relationship with her. Despite attempts to suppress his feelings, Ernest realizes that he still loves Amelia. Ernest contemplates how to win her back from Rich while absent-mindedly playing "Allison" by Elvis Costello. He has an epiphany when he subconsciously swaps "Allison" for "Amelia" in the chorus. With trepidation, he decides to write an album expressing his feelings for her - "a bit predictable. Definitely over-the-top. Catastrophically embarrassing if it sucks. But... shit it might just work."

In a time-lapse of the next week, we see Ernest excitedly writing new songs in his bedroom.
SCENE 6
The following Saturday, Graham individually invites Ernest and Amelia as a set up to his regional bowling finals. As Graham bowls, Ernest and Amelia, awkwardly at first, open up to each other. In a heavily stylized sequence, Graham narrowly defeats his rival, Annika Turnbladt to take first place. In celebration, Graham’s parents take him to Tors’ Lefse Lair for Norwegian cuisine, leaving Ernest and Amelia alone.
SCENE 7
Ernest and Amelia, alone with the afternoon to themselves, decide to go to visit a local Conservatory. Amelia confides to Ernest that acclimating to college has been difficult for her. She has had difficulty deciding on a major, been unable to find a strong friend group, and she suspects Rich of cheating. Ernest comforts her and they embrace. She leans in as if to kiss, but only lightly kisses him on the cheek.
SCENE 9
The following week, Ernest receives a call from Amelia saying that she can’t see him anymore. Blind-sided by the turn in affection, Ernest goes looking for Amelia to talk. After unsuccessfully searching for her for a week, he finally finds her at her summer job at the VH Senior Home. Immediately, he notices that she is concealing a black eye and infers Rich hit her. Enraged, Ernest enters a fantasy of combatting Rich in Medieval Duel for Amelia’s honor. Amelia reveals that she is afraid that Rich will discover she has been with Ernest and harm him, which is why she distanced herself. Ernest and Amelia embrace as Casablanca plays on a TV in the background. Ernest returns home to sulk and plot his revenge against Rich.
SCENE 8
Amelia invites him to her house for dinner. They are up in her bedroom when they begin to reminiscence about their times together in high school. We get exposition on why Ernest never went to college.  Amelia, moved by Ernest’s vulnerability, kisses him. Enter the sequence of New Heaven.
SCENE 8
Amelia invites him to her house for dinner. They are up in her bedroom when they begin to reminiscence about their times together in high school. We get exposition on why Ernest never went to college.  Amelia, moved by Ernest’s vulnerability, kisses him. Enter the sequence of New Heaven.
SCENE 10
Ernest indulges in an emo pity party, laying on the floor of his room surrounded by candles and listening to the radio. During a DJ interlude, he hears that The Cure will be performing in the city on Friday. Excitedly, Ernest decides to create a demo cassette of his songs for Amelia to pass to Robert Smith after the concert.
SCENE 8
Amelia invites him to her house for dinner. They are up in her bedroom when they begin to reminiscence about their times together in high school. We get exposition on why Ernest never went to college.  Amelia, moved by Ernest’s vulnerability, kisses him. Enter the sequence of New Heaven.
SCENE 8
Amelia invites him to her house for dinner. They are up in her bedroom when they begin to reminiscence about their times together in high school. We get exposition on why Ernest never went to college.  Amelia, moved by Ernest’s vulnerability, kisses him. Enter the sequence of New Heaven.
SCENE 11
On the night of the concert, Ernest waits outside of the venue. As he crosses an alleyway, he gets ambushed by Rich and his football teammates. In a moment of valiant rage, Ernest knocks Rich out clean, but is subsequently beat up by his cronies. Despite this, Ernest drags himself into the show, washes himself off and stays until the end. After the show, a haggard Ernest passes his tape to Robert Smith outside the venue. Smith gives him a silent look of concern, reluctantly accepts the tape, and continues into his tour bus.
SCENE 8
Amelia invites him to her house for dinner. They are up in her bedroom when they begin to reminiscence about their times together in high school. We get exposition on why Ernest never went to college.  Amelia, moved by Ernest’s vulnerability, kisses him. Enter the sequence of New Heaven.
SCENE 8
Amelia invites him to her house for dinner. They are up in her bedroom when they begin to reminiscence about their times together in high school. We get exposition on why Ernest never went to college.  Amelia, moved by Ernest’s vulnerability, kisses him. Enter the sequence of New Heaven.
SCENE 12
The morning after, Graham calls Ernest and informs him that he has decided to attend college in the Fall. Ernest feigns excitement for him, but is devastated. Shortly after, his parents issue him an ultimatum that he either needs to attend college in the Fall, or move out of the house.
SCENE 8
Amelia invites him to her house for dinner. They are up in her bedroom when they begin to reminiscence about their times together in high school. We get exposition on why Ernest never went to college.  Amelia, moved by Ernest’s vulnerability, kisses him. Enter the sequence of New Heaven.
SCENE 8
Amelia invites him to her house for dinner. They are up in her bedroom when they begin to reminiscence about their times together in high school. We get exposition on why Ernest never went to college.  Amelia, moved by Ernest’s vulnerability, kisses him. Enter the sequence of New Heaven.

ACT 3: Falling Forward

SCENE 13
Emotionally distraught by his separation from Amelia, the impending departure of Graham, and his failed attempt to connect with Robert Smith, Ernest enters a panic attack. In his despondent state, Ernest accidentally overdoses on anxiety medications. As he loses consciousness, he blasts his stereo system at full volume to call for help.
SCENE 14
The next day, Ernest awakens at the hospital with Amelia, Graham, and his family at his bedside. After a tearful embrace, they explain to Ernest that his sister Evelyn found him and called for help - if another 15 minutes passed he would have died. After an emotional conversation explaining what happened, Ernest’s visitors leave him to rest. On the way out of the door, Amelia stops to ask Ernest about the music playing in his room. Amelia pulls a purple tape out of his pocket and asks if it was Ernest’s music. Ernest confirms that it was. She had listened to it in the waiting room on repeat for the last 12 hours. Awe-struck, she abashedly probes "well, whoever you're singing about must be pretty special". He replies "if only she knew how he felt about her". They kiss. Amelia exits, beaming.
SCENE 15
A few days after, Ernest is back in his bedroom. After reflecting on events of the past weeks, he decides to enter the next chapter of his life by committing to the University of Minnesota in the fall, As he presses pen to paper to commit, Ernest receives a call. It’s Robert Smith. He invites Ernest out to LA, and tells Ernest he thinks he can get his record made. Ernest puts the pen down and wildly celebrates around his room. He informs Graham and his family immediately.

Afterwards, he goes to Amelia’s, but he is informed by her Father that she has gone back to USC for the summer to work on campus. Downtrodden, he calls her at her dorm. He learns that she’s broken up with Rich and didn’t feel safe at home any longer. Saddened but understanding, Ernest mentions that he is going to be in LA soon. He informs Amelia of his breakthrough with Robert Smith. They make plans to meet up as soon as he arrives.
SCENE 16
Just as Ernest is about to leave in his Saab, Graham pulls up in a White Mercedes Convertible. He recalls Patty Weinstock’s earlier offer that “anything he asks for is as good as his”. He offers the car to Ernest saying “You’re going to need a cooler car, if you’re going to be a rock star”. Tearfully, the friends embrace and say goodbye.

The movie ends with Ernest driving along the Pacific Coast Highway in his new car, dressed in a Mint Suit, arm around Amelia.